Words and Poetic Function
intent on disrupting the agreements
Thursday, November 23, 2017
Checklist
1 Being with you taught me how to be alone
2 You can`t say "It`s not that bad" and "I didn`t know"
3 Evil is focused
4 All is temporary with loss
5 The dog bites
6 The greater messengers died before you
7 The Arab slave trade
8 Can`t see what never hide
9 The circle of reason
10 Tears of butter
11 Sunlight steeped in hell awhile
12 Geographical limitations
13 Rate this translation
14 Artist has become a lifestyle limitation
15 Le beurre Bordier
16 I want 150 people to taste it
17 What canned sardines
18 The sun is an ingredient
19 Laurie Ann
20 Libre Service 1938
21 You inhabit two worlds
22 Dead dirt
23 We use to call it a long film
24 The devil ain`t got no music
25 Human Power is targeted
26 We don`t properly understand Let It Come Down
27 Why are you satisfied with your level of understanding that lead you to that conclusion
28 Media lead urgency
29 Confusion
30 Our vision for us
31 They tore the phone off the wall
32 Cut to the chase
33 degrees
Kosmopolitics – Reclaim Anger. Wut als feministische Kraft
Mit dem Feministischen Salon
«Ich habe
gelernt, meinen Ärger zu nutzen, ehe er meine Visionen verzehrt»,
schrieb die Schwarze Feministin Audre Lorde. Für sie war Wut visionär,
Wut war politisch. Es ist an der Zeit, Wut wieder als eine feministische
Kraft zu entdecken. Eine Kraft, die sich der Domestizierung von
negativen Gefühlen widersetzt, die sich gegen die Betäubung des Denkens
durch die Doktrin der guten Laune auflehnt, die den Sinn für
Ungerechtigkeit und Verweigerung schärft. Eine Kraft, die das «Spiel»
von Macht und Unterdrückung verdirbt. «Killjoy» ist ein Ausdruck für
feministische Wut. Wir können nicht länger zulassen, dass unser Zorn vom
Produktionsapparat abgeschöpft wird, im Nichts verpufft oder sich gegen
uns selbst wendet. Wir dürfen uns nicht einlullen lassen von
Karriereversprechen, Ich-Versautheit oder dem übernächsten angesagten
Unsinn. Lasst uns Feminismus wieder mit Wut aufladen. Das allein ist
noch nicht die Lösung, aber ein Anfang.» (Text vom feministischen Salon)
Der Abend ist eine Hommage an den Zorn – mit Lesungen, Poetry
Slam und Musik von Filmemacherin/Musikerin Jamika Ajalon (Paris) und
Sebastian Rotzler (Double Bass), den Spoken Word-Künstler*innen Fork
Burke (Biel) und Meloe Gennai (Genf) und der feministischen
Bloggerin/Aktivistin Franziska Schutzbach (Basel).
«Reclaim Anger» wurde erstmals 2016 in anderer Besetzung im Theater Neumarkt Zürich aufgeführt.
WEITERES DATUM MIT DEM FEMINISTISCHEN SALON
Montag, 11. Dezember 2017
__________
ÜBER DEN FEMINISTISCHEN SALON
Der feministische Salon veranstaltet intellektuelle, provokative,
politische, lustige, radikale, affektive und nachdenkliche Abende zu
queer_feministischen Themen. Im feministischen Salon gibt es Glitzer und
Dreck, Weichheit und Härte, Negation und Affirmation, Wut und Care,
Politik und Anti-Politik, Fiktion und Utopie, Solidarität und Kritik,
Trash und schlechten Geschmack, Rausch und Depression, Analyse und
Poesie. Und Prosecco und Bier. Hinter dem feministischen Salon stehen
Franziska Schutzbach, Anelis Kaiser und Yvonne Apiyo Brändle-Amolo.
Being pulled out of my
language now speaking – witness translate I write – Our
Hands have never lied
Images hide a world –
Images announce a world – describe what you see and go
Open up images – Do you
see it – end of new eyes
What color is the black
bird
Her name begins with the
letter O or L and mine begins with me
not a sound – we haven`t
created anything and lucky for leaks
That there is force
between you and the crushing world is plenty
I want to remember what
dreams are for – I don`t want to know what dreams mean
We will never be trained
well enough like this
There will be no arrival –
I am only speaking into you – Perhaps
the storyteller and the
listener are the same – I write because I don`t know you at all
because outside agreements
are a consideration I know I swore I`d never do it again
words create a
simultaneous entry
The door is closed
The door is open
It began with a water drop
– a drop of water
Textual kinship is good
home training – It began with a text – translating yourselves to
yourself
We are all in here
Can we choreograph my text
– I don’t speak to say what I mean
I speak to our with that I
may discover what I mean
What really needs to be
said – we mustn`t quote each other anymore
Quotes are memory going
deeper into where language shifts you
Write what happened to
your body – where you went – not what was said
You were already there for
so long – what opens us knows only the power of our organs
and collaboration and ears
– I write to tell you I am here
that
I will cut your fragments open your empty mouth ready
photo by Christelle Geiser
Thursday, September 28, 2017
8 October at 17h
Berekeley Books of Paris - 8 Rue Casimir Delavigne, 75006 Paris, France With The Poets Malik Ameer Crumpler Jamika Ajalon Bruce Edward Sherfield and joining Fork Burke - Sebastian Rotzler
Sebastian
Rotzler is a double-bass player, improviser and
sound-creator. His
work emphasizes experimental, improvised music with a strong
attachment to composed aspects. His playing is inspired by
associations, by developing sound patterns, but it can also
outburst
into sudden but still specific sound interventions.
Next
to his own playing he initiated divers art- and music
projects and
plays together with different exponents of the improvised
music-scene. www.sebastianrotzler.ch
1 I gave birth in two languages
2 Too many words for flavor
3 Structure that helps follow the idea
4 remote control dream
5 Ask the cucumbers
6 Discomfort is one of the last pleasures
7 Where in the body is religion located
8 A missed shot
9 Pursuit of a temporary fix
10 The Fuckin Rabbit
11 The food we eat gives the energy back to the wine
12 Once a year I find a wallet
13 Liquid Rock
14 People are the ultimate fiction
15 full skin contact for texture and territorial identity
16 How have you trained yourself
17 It`s not the evil it`s the permission
18 all they be left with is fuckin their cousins and eatin squirrels
19 Places of sacred orgasmic known knowns
20 You gotta get your hands on it - get the written record and insert a little part of yourself
21 I seek no permission no equality
22 Nestled in Zermatt
23 Observation changed me too
24 Destroy it before they let you have it
25 A sense of terror
26 Less Unreadable
27 You have to say yes twice
28 Bifocal Foundation
29 Each step is a question Fed and Formed
30 YES
31 You want me to collaborate with my own demise
32 HA!
33 degrees